Author: Väinö Linna
Year: 1988 (1960)
Publisher: Wahlström & Widstrand
Language: Swedish (Translator N-B Storbom)
If the initial
tome of Väinö Linna’s famous trilogy “Under the North Star” (see my review from
March 2024) lays bare the rift in the social fabric of pre- First World War Finland,
the second instalment “Upp Trälar” (published in English, and indeed the
original Finnish simply as Part Two of the trilogy) sees Finland completely
torn apart. The cataclysmic upheaval of the world war that brought an end to the
oppression of the Muscovites, also hurled an already weary nation into a brief
but bitter civil war between the forces of a marching Socialism and an
entrenched Bourgeoisie.
In “Upp
trälar”, Väinö Linna ventures forth into a grim era in Finland’s history, wasting
no concern to embellish or veil the unspeakable evil wrought by one countryman
upon another. What once was a resigned acceptance of fate, gradually sprouts
into fear and suspicion, blossoming into fervent resistance and protest. We
follow the genesis of the labour movement and how the first workers’ strikes compel
the landowning classes to yield their first concessions. We are there when they
later attempt to claw back some of their privileges in the midst of the turmoil
following the Russian Czar’s effort to reassert dominion over an increasingly
unruly Finland. We observe the violent reaction from the downtrodden, their blazing
spirit under the scarlet banners of Socialism. We witness how Finns, increasingly
wary of one another, engage in an arms race and ultimately a brutal and relentless
war. And we mourn alongside the lone voices of reason their futile bids to
prevent the looming calamity.
The
atrocities perpetrated by all sides in the conflict defy all concepts of humanity,
as the blind rage of vengeance knows no bounds other than its own indiscriminate
barbarianism. People who have seen no other world than that populated by one
another are pitted against each other, unleashing a hatred beyond comprehension.
The outcome can only be death, suffering, and unspeakable despair.
Such events
are, of course, not inherent to Finnish history or culture but form a humiliating
leitmotif throughout the ages of human development. Whether religious wars, the
Inquisition, the Rein of Terror, the October Revolution, the Massacres at
Volhynia, Endlösung der Judenfrage, the Balkan War… the list goes on. And this
is accounting for merely one of the six populated continents of the world. When
given the chance, man reveals himself all too eager to provide evidence that
what differentiates him from the beast is not his intellect or culture, but rather
his unmatched capacity for hatred, barbarism, and his insatiable hunger for
destruction, power, and blood.
As I argued
in the review of the first part of this trilogy, the typical Swedish reader
will scarcely be able to fathom the magnitude of such trials as Swedish
socialists, faced with diametrically different challenges than their Finnish counterparts,
had the luxury of riding the tide of a rapidly rising democratic movement
allowing them to steer their course toward reform rather than revolution. By
immersing ourselves in the Finnish experience we are unceremoniously confronted
with the prospect of what could have been, a revelation that should give us
pause in our insular sense of entitlement.
Although
the tone in “Upp trälar” is endlessly darker than that in the first book, Linna’s
literary genius remains beyond reproach. With his masterful touch, he treats
each of his characters and every event with the utmost respect, offering neither
accusation nor defence beyond that what their own deeds already dictate. While
history teaches us that the socialists were defeated by a joint intervention of
Finnish and international military forces, on an individual plain there were no
victors. Here Linna, in his inimitable way, delivers each and every one of them
to us for forgiveness or condemnation according to the inclination of each
individual reader’s own conscience.
Indeed, if
the first part of the trilogy resounded of hard labour punctuated by sparse but
genuine laughter, the second book echoes of nothing but gnashing teeth and inconsolable
screams into the darkness of an indifferent universe.
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